{"id":24,"date":"2006-09-08T12:08:41","date_gmt":"2006-09-08T16:08:41","guid":{"rendered":"http:\/\/kenotic.net\/wordpress\/?p=24"},"modified":"2024-01-04T15:21:29","modified_gmt":"2024-01-04T20:21:29","slug":"david-crowder-band-b-collision","status":"publish","type":"post","link":"https:\/\/kenotic.net\/wordpress\/2006\/09\/08\/david-crowder-band-b-collision\/","title":{"rendered":"David Crowder Band &#8211; B Collision"},"content":{"rendered":"<p><img decoding=\"async\" align=\"left\" title=\"David Crowder Band - B Collision, or (...the Eschatology of Bluegrass)\" alt=\"David Crowder Band - B Collision, or (...the Eschatology of Bluegrass)\" src=\"http:\/\/img.photobucket.com\/albums\/v139\/jarsonic\/b_collision_thumb.jpg\" \/>I received the David Crowder Band&#8217;s latest release <em>B Collision, or (&#8230;the Eschatology of Bluegrass)<\/em> in the mail earlier this week, and man, has it been a treat to listen to.  <em>B Collision<\/em> provides a stripped-down, acoustic treatment to some of the songs from DCB&#8217;s previous full length, <em>A Collision<\/em>, along with a few live cuts from their 2006 tour with<a title=\"Robbie Seay Band\" href=\"https:\/\/web.archive.org\/web\/20230921190339\/http:\/\/www.robbieseayband.com\/\"> Robbie Seay<\/a> and <a title=\"Shane &#038; Shane\" href=\"http:\/\/www.shaneandshane.com\/\">Shane &#038; Shane<\/a>.  David Crowder&#8217;s offerings have been strong in the past, often very creative while remaining catchy; he won&#8217;t be shoehorned into a hole.  <em>A Collision<\/em> featured genres ranging from rock to folk to bluegrass, to, well, jsut plain weird (in a cool way).  Following in the footsteps of this tradition, <em>B Collision<\/em> does not disappoint.<\/p>\n<p>The track listing is as follows:<\/p>\n<blockquote><p><small>1.)     Intro (I&#8217;ve Had Enough)<br \/>\n2.) A Beautiful Collision<br \/>\n3.) Wholly Yours<br \/>\n4.)     Everybody Wants to go to Heaven (LP)<br \/>\n5.)     I Can Hear the Angels Singing \/ (&#8230;andeverandeverand&#8230;)<br \/>\n6.)     Be Lifted (live with Robbie Seay and Shane &#038; Shane)<br \/>\n7    .) I Saw the Light (live with Robbie Seay and Shane &#038; Shane)<\/small><\/p><\/blockquote>\n<p>The first song on the album, &#8220;Intro (I&#8217;ve Had Enough)&#8221;, starts off very lo-fi, with Crowder sitting down and getting ready before he begins playing.  A quiet banjo enters midway through the intro, sounding as if it&#8217;s in the back of the room away from the microphone for a nice effect.<\/p>\n<p>Track two is my favorite currently, with a glitchy-electronic feel behind Crowders voice that builds until beautiful banjo-picking takes the limelight at the chorus.\u00c2\u00a0 Magnetic tape whirrs and clicks encapsulate much of the track, but the feel remains organic throughout.<\/p>\n<p>Track three, &#8220;Wholly Yours,&#8221; is a different treatment of a song off of <em>A Collision<\/em>, remixed with slight electronic flourishes and featuring subtle banjo on the latter half of the song.<\/p>\n<p>The LP version of &#8220;Everybody Wants to go to Heaven&#8221; gracefully follows, clocking in at a generous 4:56, an expansion of the 1:04 version found on <span style=\"font-style: italic\">A Collision<\/span>.<\/p>\n<p>Track five, &#8220;I Can Hear the Angels Singing&#8221; fades into a interlude of crowd noise under the moniker &#8220;(&#8230;andeverandeverand&#8230;),&#8221; initiating the live portion of the album.  &#8220;Be Lifted&#8221; and &#8220;I Saw the Light&#8221; were recorded on the road in Kansas, and they capture the live feel of Crowder&#8217;s shows rather well.<\/p>\n<p>Anyway, I was very happy with this purchase; David Crowder continues to push the boundaries of his music in the pursuit of good art, and it&#8217;s a gamble that has continued to pay off with each new album.  <span style=\"font-style: italic\">B Collision<\/span> is highly recommended, in my book.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I received the David Crowder Band&#8217;s latest release B Collision, or (&#8230;the Eschatology of Bluegrass) in the mail earlier this week, and man, has it been a treat to listen to. B Collision provides a stripped-down, acoustic treatment to some of the songs from DCB&#8217;s previous full length, A Collision, along with a few live [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"h5ap_radio_sources":[],"footnotes":""},"categories":[3,7],"tags":[],"class_list":["post-24","post","type-post","status-publish","format-standard","hentry","category-art","category-music"],"_links":{"self":[{"href":"https:\/\/kenotic.net\/wordpress\/wp-json\/wp\/v2\/posts\/24","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kenotic.net\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kenotic.net\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kenotic.net\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kenotic.net\/wordpress\/wp-json\/wp\/v2\/comments?post=24"}],"version-history":[{"count":1,"href":"https:\/\/kenotic.net\/wordpress\/wp-json\/wp\/v2\/posts\/24\/revisions"}],"predecessor-version":[{"id":1076,"href":"https:\/\/kenotic.net\/wordpress\/wp-json\/wp\/v2\/posts\/24\/revisions\/1076"}],"wp:attachment":[{"href":"https:\/\/kenotic.net\/wordpress\/wp-json\/wp\/v2\/media?parent=24"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kenotic.net\/wordpress\/wp-json\/wp\/v2\/categories?post=24"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kenotic.net\/wordpress\/wp-json\/wp\/v2\/tags?post=24"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}